Monday, July 31, 2006

TECHNOLOGOS ABSTRACT ART IN CANNIBALISED CYBERSPACE

TECHNOLOGOS ADVOCATES A CREATIVE COMMONS PARADYGM VERSE PREDOMINANCE IN WEB BLOGOSPHERE VISUAL AND TEXTUAL MONITORING CONTROL AS CENSORSHIP TOOLS. AS TOTAL INFORMATION CONTROL IS IDEOLOGICAL DICTATORSHIP UNDER PRETEXT OF TOTAL WAR RISK INVITE A TOTALITARIAN BIG BROTHER CORPORATE MINDSET PRIVATISING WEB COMMONS WHILE CREATIVE COMMONS PARADYGM PREVENTS IT. TECHNOLOGOS PRINCIPALLY IS CONCERNED WITH ACTUAL AND POTENTIAL ACTS OF VISUAL CENSORSHIP ON PART OF OWNERS OF CINEMATIC SPACE DISTRIBUTORS AS VIOLATION OF FIFTH AMENDMEND OF THE CONSTITUTION AND INTELLECTUAL FREEDOMS GROUND ZERO POINT



YouTube Censored Vitruvius posting Kubrick's Eyes Wide Shut as MySpace as it exposes the female nude as central motif established by the film's opening but YouTube was shutting down posted by Vitruvius Bertollucci THE DREAMERS which you may view.
WHILE STANLEY KUBRICK VITRUVIUS STILLS VIEW CLICKING LINC HERE
BERTALUCCI "DREAMERS" DEBATED CONTROVERSY FILM CUT SCENE Of Sex esthetics ironically played by lead star Eva Green
You can view VITRUVIUS CINEMASPHERE ARCHICINEMA NEW CONCEPT at TECHNOLOGOS

ALOGOS HERE WHILE VIEW 'THE DREAMERS' as lusty lead described by Bertolucci 'so beutifull as indescent' at TECHNOLOGOS as VITRUVIUS

VIEW DAVID LYNCH ABSTRACT SUR VIDS AT TECHNOLOGOS LOGOSPHERE AS CONTINUUM OF DADA ANTIART CINEMAMATC ABSTRACT COGNITIVE CODA DESIGN


CREATION OF NUCINEMA AS NUDADA PROJECT WHICH DUCHAMP 'DESCENDIND NUDE' EPITOMISING THE THRUST WHILE NOW EXIBITED IN MOMA NYC.




VIEW EXPERIMENTAL CONCEPTUAL ABSTRACT CINEMA DESIGN AT TECHNOLOGOS ENTERTAINS ON PARADOX OF ARTISTRY SURVIVAL UNDER THREAT OB BEING CANNIBALISED, ANNIHILATED TO THE POINT OF VIRTUAL VOID OR PRINCIPALLY CENSORED AND CONSTANTLY MONITORED AS TECHNOLOGOS EXPERIENCES AT HIS CYBERSPACE WHILE
EXPLORING THE OBJECTIVE TO CREATE CINEMATIC LANGUAGE FORMS AS LINGUISTIC GRAMMAR WEB CONSTRUCTS. YOU VIEW VIRTUAL DADA ARTSHOW COMPARABLE TO ART ESTABLISMENT MOMA IN NYC WITH EXIBITS OF VIDS AND ARTIFACTS OF DADA ARTISTS AS MARCEL DUCHAMP, MAY RAY, HANS RICHTER AS ABSTRACT CINEMA FOUNDERS.

TECHNOLOGOS PRINCIPAL CONCERN WITH CENSORING CANNIBALISING AND OSTRACISING POLICIES AT YOUTUBE WHILE AT MySpace WITH MONITORING COMMUNICATIONS AND CENSORING POSTED VIDS AS DUCHAMP 'ABSTRACTION CINEMA' WITH BRAINWASHING TECHNIQUES THUS CREATING PARADOX THAT MOMA ESTABLISHMENT EMBRACES DADA AND DUCHAMP WHILE DIGITAL SPACE PROVIDERS EXERCISE UNDUE VISUAL CENSORSHIP OF CLASSICAL MASTERPIECES OF NU CINEMA DESIGN AS THIS ONE.







Sunday, July 23, 2006

TECHNOLOGOS ON CENSORED VITRUVIUS


View at alogos of technologos the Censored Vitruvius posting as BERTOLUCCI 'THE DREAMERS' as MySpace was not willing to post as it exposes the female nude while YouTube was shutting down posted by Vitruvius Bertollucci 'THE DREAMERS' which you may view below.
HOWEVER, VITRUVIUS PORTFOLIO OF UNCENSORED VIDS AT IFILM VIEW CLICKING LINC HERE

HISTORY OF 9/11 EVENTS FILM SHORT OF WTC ATTACK in New York VIEW HERE
WHILE VITRUVIUS
FILMOSPHERE OF SHORTS OF WORLD HISTORY AS DOCUDRAMA WITH NEWSREELS AS WELL AS MASTERPIECES FEATURE CUTS VIEW CLICKING LINC HERE



BERTALUCCI "DREAMERS" DEBATED CONTROVERSY FILM CUT SCENE Of Sex esthetics ironically played by lead star Eva Green
You can view VITRUVIUS stills at TECHNOLOGOS

THE DREAMERS as lusty lead described by Bertolucci 'so beutifull as indescent' at TECHNOLOGOS as VITRUVIUS

VIEW TECHNOLOGOS
LOGOSPHERE AS MULTIMEDIA VISUAL INTELLIGENCE WEB DESIGN



VIEW MARCEL DUCHAMP CINEMATIC STILLS MASTERPIECES AT TECHNOLOGOS WHILE VITRUVIUS AS CINEMATOGRAPHER
CREATES CINEMATIC LANGUAGE OF VISUAL INTELLECTUAL FREEDOMS VERSE THREATS OF ACTUAL AND POTENTIAL ACTS OF VISUAL CENSORSHIP ON PART OF OWNERS OF CINEMATIC SPACE


CREATION OF NUCINEMA AS NUDADA PROJECT WHICH DUCHAMP 'DESCENDIND NUDE' EPITOMISING THE THRUST WHILE NOW EXIBITED IN MOMA NYC.




YOU VIEW VITRUVIUS LOGOSPHERE OF MULTIMEDIA VISUAL INTELLIGENCE WEBDESIGN

DUE VITRUVIUS SUSPENSION pretext at YouTube and ESTABLISHED PRIVACY VOID OR CENSORING POLICIES AT MySpace and BY MONITORING COMMUNICATIONS AND CENSORING POSTED VIDS AS DUCHAMP 'ABSTRACTION CINEMA' WITH BRAINWASHING TECHNIQUES THUS CREATING PARADOX THAT MOMA ESTABLISHMENT EMBRACES DADA AND DUCHAMP WHILE DIGITAL SPACE PROVIDERS EXERCISE UNDUE VISUAL CENSORSHIP OF CLASSICAL MASTERPIECES OF NU CINEMA DESIGN AS THIS ONE.